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Dudley Zopp's avatar

Stacy, I am so honored to be part of this conversation and growing community. Like you, I am doing a lot of underlining and making margin notes in my copy. From the introduction, this sentence comes to mind - "Another difficulty that I have had to deal with is that I cannot see race prejudice and the sufferings related to it as special or isolatable problems calling for special or isolated solutions." Berry has taken on a difficult problem and will come at it repeatedly as he articulates his own positions and suggests solutions for his readers.

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Bee Lilyjones's avatar

Thanks for this, Stacy and Dudley, and thanks for the invitation to comment. For me, this piece is what Substack is all about and I want to take the time to connect.

After reading your first discussion entry, my mind has raced this way and that - to places and issues closer to my home in the far north of England than Kentucky. I was thinking about the memoir Unearthed: On race and roots, and how the soil taught me I belong by Claire Ratinon, Claire has Mauritian heritage and lives in England. She also co wrote a pamphlet called Horticultural Appropriation with her partner, Sam Ayre. (I hope it’s okay to point to some of the folk/books I’ve been thinking about?)

Yesterday I was writing a piece about the lure of place (I’ll publish it here on Substack in the coming days but want to record the audio first.) Anyway, place and nature writing are what I read most and I’m anxious, so anxious, about our disconnect from natural place.

People are place, people are nature. Wendell Berry, if I'm honest I know so little about him (have read none of his fiction, have mostly read his poetry and essays and articles) but I know he writes in response to place. When I wrote a comment to your ‘One Sentence a Day,’ Stacy, I said it reminded me of my favourite poem by Thomas A Clark. It’s called Riasg Buidhe. Clark writes in response to place, too. Berry aside, other (American) writers and activists writing about place that I admire (off the top of my head) Robin Wall Kimmerer, Ursula Le Guin, Barbara Kingsolver, Richard Powers.

What resonates most is Berry’s emphasis on the loss of community and its connection to the land. As industrialism grew, as wealth and capitalism concentrated in fewer hands and people left rural areas for towns and cities something essential was lost that just can’t be replaced by modern conveniences. Berry’s nostalgic description of small-town interdependence - the butcher, the seamstress, the farmer - feels quaint, outdated, but resonates, reminds me of the importance of relationships rooted in mutual care and shared labour. In our drive for economic efficiency and technological advancement, have we severed ourselves from the very soil, literal and metaphorical, that sustains us?

Dudley, you wrote “Berry is imploring the reader to understand that prejudice is not just race relations but a prejudice of labor, of effort, of self-sufficiency to which can be firmly planted at the feet of industrialism and the economy which is not of fairness and shared wealth or even being paid a fair wage but of lining the pockets of a few and the continued ill treatment of people.”

....That’s incredibly thought-provoking, isn’t it? it underscores how systemic injustice - whether racial, economic, ecological - are interconnected. Berry’s call to see these relationships as part of a bigger picture feels urgent in today’s fragmented world.

Ultimately, Berry is asking us to engage in a conversation, a nuanced, uncomfortable and deeply personal conversation. He reminds me that we can’t leave our past behind, not if we hope to build a healthier, more equitable future. This is a call to responsibility, not just to the land or to one another, but to the…. soul of community itself. Berry is asking us to remember what it means to belong: to a place, to a people, and to a shared history, however painful that history may be.

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